福島之戀（Fukushima,monamour）是一部2016年的德國電影，由德國導演多娜·卡茨執(zhí)導，編劇為多娜·卡茨和萊奧·科爾貝爾。電影講述了一位年輕的德國女人露絲（Rosa）在2011年福島核事故后來到福島地區(qū)參與志愿工作，與一位年長的日本女人米久子（Miyuki）建立了深厚的情感紐帶。影片通過兩位女性的故事，探討了災(zāi)難后的重建、記憶和個人成長等主題。該片在2016年柏林電影節(jié)上首映，并獲得了好評。

First of all, many thanks to H.. Without you, I am not sure how much longer it gonna take for me to notice this movie. Thank you, darling.

Fukushima, I would rather call it as "glitch" over recent years of my life experience - it is not easy to tell I like or hate it; similar to this movie, I end up with weeping tears over the last quarter of it.

我們都帶著剩下的一部分，尋找遺失的另一部分：有那么幾個幸運兒，他們或早或晚地找到了；而大部分人，終其一生都在尋找。即使人人都在尋找，我們也不得不孤獨上路。

Will any of these become the barrier between us, the radiance, the languages and the masks we are wearing ourselves. How many of you can still recall how you looked like at the beginning?

那些閉起眼睛就能輕易找回的過去，在睜開眼睛的瞬間，會更加輕易地支離破碎。既知否認無用，為什么還要堅持否認？一閃而過的街道、人臉，程序定式的問候、交互，所有的秘密就能完好無損地被保存嗎？不問，不說，是最后的默契。

成人的世界不再是童話，不是所有請求都能被默許也是意料之中。但只要你想，足夠想，就可以一直去叩，直到人心上出現(xiàn)第一條裂縫。

Stop, and think about whether what we are taking is beyond what we need - the food we have been consuming and the comfort we have been looking for.

It takes much more and much longer than what we thought to come over one certain thing, like to understand ourselves, to face the facts. People come and go, each of them mark our lives in their own way. Sometimes, we remember; sometime, we do not.

We should be appreciated to surroundings, including the ability of laughing and crying. Can be happy is such a lucky thing, cherish it.

能把生活過成“沒有敢與不敢，只有想與不想”，應(yīng)該就算一種成功。

Admit and face the fact could be the most tough thing, tougher than living in pain for the rest of life. But can you find a way to stay in peace with your pain?

Everyone has our own life, no matter what happens, we will have to live on.

更何況，人無千日好，花無百日紅。