這篇影評可能有劇透

Carmen

聽到大幕拉開前長笛演奏的熟悉的卡門序曲的時候 雞皮疙瘩就起來了 內(nèi)心太激動了

一直到聽到哈巴涅拉 笑的合不攏嘴 瞬間想站起來手舞足蹈 Rinat Shaham 詮釋的卡門性感 驕傲 放蕩不羈 她愛的不是男人 她愛的是她自己 愛的是所謂愛情給她行的方便 愛的是可以隨意玩弄男人感情和左右他人命運的優(yōu)越感 但這樣的卡門才迷人 才值得所有人為她神魂顛倒

她口口聲聲所追求的自由最終卻被她自己抽中的牌預示的死亡給束縛了 她最終不愿屈服于Jose 可以理解為她為愛情和自由而犧牲 但她深知命運無法改變 愛情可能只是一個借口

最終以一個悲劇的結(jié)尾倉促收場 Jose殺了Carmen 內(nèi)心承受巨大的痛苦 但我覺得這也是最好的結(jié)尾 卡門的死是完美的 在為愛犧牲的自欺欺人中驕傲地死 應該是她最滿意的方式

It always takes long to digest a grand performance. Carmen is definitely one of those that is worth of thinking back over and over again. Every movement that looks casual, the variety of colors worn by performers that should have looked messy

and the overlap of all the voices are arranged in a perfect way that reach the greatest harmony. The character of Carmen interpreted by is full and lively. Carmen was wild, sultry and arrogant in a morally negative way but that was exactly what made her extremely more alluring. What she actually loved was probably not men changing from time to time, but herself with the self-esteem strengthened by those messy relationships and the ability to control others' emotions and lives.

She always wanted to seek the way of freedom but still finally could not escape from her own destiny determined by a few shuffles, which was ironic. She claimed her sacrifice for love and freedom but it was probably another silly excuse for her own fear of the fate already destined. The

Opera was ended in tragedy. I hate tragedy but I could not think of a better one more perfect than this. Carmen died willingly in the name of love with pride and she must be very satisfied with this way.

“轉(zhuǎn)載請注明出處”